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Sarah Rhys

Coal Tree Salt Sea. Sarah Rhys is an interdisciplinary artist living and working in both rural Monmouthshire and Bristol. Her current investigations and responses are to Memory, Place and the Liminal. She has work in DRAWN at RWA, Bristol 1st April to June 4th. "Coal Tree Salt Sea" is being exhibited at Oriel Q in Narberth in August. Her artists' book 'Coal Tree Salt Sea' is at 'Kunstlerbucher fur Alles' exhibition at Weserburg Museum of Modern Art in Bremen in Germany from 2nd June to 6th August.

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Sarah Rhys | rhysstudio.org Reviews
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Coal Tree Salt Sea. Sarah Rhys is an interdisciplinary artist living and working in both rural Monmouthshire and Bristol. Her current investigations and responses are to Memory, Place and the Liminal. She has work in DRAWN at RWA, Bristol 1st April to June 4th. Coal Tree Salt Sea is being exhibited at Oriel Q in Narberth in August. Her artists' book 'Coal Tree Salt Sea' is at 'Kunstlerbucher fur Alles' exhibition at Weserburg Museum of Modern Art in Bremen in Germany from 2nd June to 6th August.
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1 sarah rhys
2 galleries
3 artists’ books
4 blackboard paintings
5 artist’s books
6 prints
7 projections
8 projects
9 walking the city
10 re emergence
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Sarah Rhys | rhysstudio.org Reviews

https://rhysstudio.org

Coal Tree Salt Sea. Sarah Rhys is an interdisciplinary artist living and working in both rural Monmouthshire and Bristol. Her current investigations and responses are to Memory, Place and the Liminal. She has work in DRAWN at RWA, Bristol 1st April to June 4th. "Coal Tree Salt Sea" is being exhibited at Oriel Q in Narberth in August. Her artists' book 'Coal Tree Salt Sea' is at 'Kunstlerbucher fur Alles' exhibition at Weserburg Museum of Modern Art in Bremen in Germany from 2nd June to 6th August.

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ALUMNI 2012 & before. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. ALUMNI 2012 & before. Blog at WordPress.com.

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The Painting of Melancholia: August 2009

http://paintingmelancholia.blogspot.com/2009_08_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 30 August 2009. Oil on Canvas 230 x 530 cm. Victoria Miro Gallery, London. Links to this post. Sunday, 23 August 2009. Bend Over, 2001. Oil on canvas, 60 x 60 cm. Tate Modern, London. Tuymans’s career began with filmmaking, and consequently his approach to painting often d...

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The Painting of Melancholia

http://paintingmelancholia.blogspot.com/2015/02/jenny-saville-voice-of-shuttle.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Friday, 20 February 2015. Voice of the Shuttle (Philomela), 2014-15. Oil on Canvas (dimensions unknown). Royal Academy, London. In "La Peregrina" at the Royal Academy in London, Jenny Saville RA has curated an exhibition to show the influence of Rubens. In conversation with Tim Marlow.

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The Painting of Melancholia: February 2015

http://paintingmelancholia.blogspot.com/2015_02_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Friday, 20 February 2015. Voice of the Shuttle (Philomela), 2014-15. Oil on Canvas (dimensions unknown). Royal Academy, London. In "La Peregrina" at the Royal Academy in London, Jenny Saville RA has curated an exhibition to show the influence of Rubens. In conversation with Tim Marlow.

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: November 2014

http://paintingmelancholia.blogspot.com/2014_11_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Monday, 24 November 2014. Double Portrait Camden Town, 2013. Oil on Canvas 150 x 220cm. Simon Lee Gallery, London. I have been looking forward to seeing new work by Dexter Dalwood for some time and my visit to his current show at the Simon Lee Gallery. Double Portrait Camden Town, 2013.

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The Painting of Melancholia: February 2010

http://paintingmelancholia.blogspot.com/2010_02_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 28 February 2010. Acrylic and thread on canvas 198 x 336 cm (3 parts). Hauser and Wirth, London. Links to this post. Wednesday, 3 February 2010. Purple Loosestrife, 1892. Tate Modern, London. Links to this post. Subscribe to: Posts (Atom). ABOUT MY OWN PRACTICE. This blog is a r...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: July 2009

http://paintingmelancholia.blogspot.com/2009_07_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 26 July 2009. Flaying of Marsyas 1576. Oil on canvas 212 x 207cm. National Gallery, London. Midas, once a student of Orpheus (who may be the figure playing the lira da braccio and gazing heaven wards), is painted in the classic pose used throughout history to evoke creative thou...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: January 2010

http://paintingmelancholia.blogspot.com/2010_01_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 3 January 2010. Acrylic on Linen 305 x 426 cm. Irish Museum of Modern Art. This was an immense exhibition of over 80 piaintings by this American artist and the first time I had seen his work first hand or in reproductions. Unlike those works and despite a process that implies lo...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: December 2009

http://paintingmelancholia.blogspot.com/2009_12_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 6 December 2009. Oil on canvas 19 x 33cm. Perhaps because of this perfectionism his paintings seem to lack emotion and whilst I find them technically interesting I don’t feel that they have a melancholic aura, even when the subject is a lonely half a lemon. Links to this post.

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Sarah Rhys

Coal Tree Salt Sea. Sarah Rhys is an interdisciplinary artist living and working in both rural Monmouthshire and Bristol. Her current investigations and responses are to Memory, Place and the Liminal. She has work in DRAWN at RWA, Bristol 1st April to June 4th. "Coal Tree Salt Sea" is being exhibited at Oriel Q in Narberth in August. Her artists' book 'Coal Tree Salt Sea' is at 'Kunstlerbucher fur Alles' exhibition at Weserburg Museum of Modern Art in Bremen in Germany from 2nd June to 6th August.

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