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RICHARD CLEMENTS | richard-clements.com Reviews

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RICHARD CLEMENTS

http://www.richard-clements.com/BIO.html

Richard Clements was born in London, England in 1983. After completing his BFA (sculpture) at The Alberta College of Art and Design in 2005 he went on to study Fine Art at Goldsmiths College, acquiring his MFA in 2007. Since then he has exhibited nationally and internationally.

2

RICHARD CLEMENTS

http://www.richard-clements.com/SELECTEDEXHIBITIONS.html

DAY TREADETH ON NIGHT, Paul Kuhn Gallery, Calgary, Canada. Colour: Day Through Night, Fold Gallery, London, U.K. Alex Robbins and Richard Clements, MOT International, London, U.K. Richard Clements, Room Galleria, Milan, Italy. Terra Firma, Fold Gallery, London, U.K. Richard Clements, Brown Space, Milan, Italy. What Light, Goldsmiths College, London, U.K.

3

RICHARD CLEMENTS

http://www.richard-clements.com/NEWS.html

Recent Work - Yellow Box Gallery, St. Thomas University, Fredericton, Canada. Origine Della Scrittura - Riss(e), Milan, Italy. Dialogos (2) - MACT/CACT - Arte Contemporanea Ticino, Bellinzona, Switzerland.

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Dion Kliner: May 2013

http://dkliner.blogspot.com/2013_05_01_archive.html

Art Criticism and Catalogue Essays. Wednesday, May 01, 2013. Day Treadeth On Night. DAY TREADS ON NIGHT (After Gill), 2012, plaster, clay, 11cm x 21cm x7cm (each). What do you see when you look out at the world? Is it primarily material or is it concept? An underlying organization of ordered elements, or a whirling chaotic randomness? However we see our world, it is very much through the acquisition and use of language, especially speech, that we individually make our peace with it. Night Treadeth on Day.

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Bases -  Dion Kliner

http://www.dionkliner.com/bases.html

Bases, Feet and Figures. Two Coats of Paint. Wax over plaster, 20 x 19 x 13 inches, 2009. Wax over plaster, 13 x 12 x 12 inches, 2009. Wax over plaster, 10 x 10 x 10 inches, 2008. Wax over plaster, 20 x 19 x 20 inches, 2008. Wax over plaster, 11 x 10 x 10 inches, 2008. Wax over plaster, 10 x 10 x 10 inches, 2008. Wax and plaster, 16 x 19 x 10 inches, 2007. Mercury Attaching His Wings. Wax and plaster, 11 x 15 x 17 inches, 2004. Mercury Attaching His Wings. Wax and plaster, 9 x13 x 12 inches, 2004.

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Links -  Dion Kliner

http://www.dionkliner.com/links.html

Bases, Feet and Figures. Two Coats of Paint. Create a free website.

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Writing -  Dion Kliner

http://www.dionkliner.com/writing.html

Bases, Feet and Figures. Two Coats of Paint. Create a free website.

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Oil Filters -  Dion Kliner

http://www.dionkliner.com/oil-filters1.html

Bases, Feet and Figures. Two Coats of Paint. Oil filters and recycled paper, 11 x 10 x 10 inches, 2011. Oil filters and recycled paper, 14.5 x 7 x 7 inches, 2011. Oil filters and recycled paper, 18 x 10 x 10 inches, 2011. Oil filters and recycled paper, 8.5 x 16 x 10 inches, 2011. Oil filters and recycled paper, 10.5 x 7 x 7 inches, 2011. Red, White and Blue. Oil filters and recycled paper, 14 x 7 x 7 inches, 2012. Oil filters and recycled paper, 13 x 10 x 10 inches, 2011. Create a free website.

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Biography -  Dion Kliner

http://www.dionkliner.com/biography.html

Bases, Feet and Figures. Two Coats of Paint. In Canada I enrolled at the Nova Scotia College of Art and Design from which I received a BFA. I enrolled thinking I was a painter, but during my first sculpture class I discovered that I was a sculptor. While in Halifax I participated in several exhibitions, and was awarded commissions for sculptures in Halifax and Vancouver. At NSCAD I also met Darcy Mann, a painter who would eventually be my wife. The Table of Elements, and. At the old Vancouver Arts Counci...

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sculpture -  Dion Kliner

http://www.dionkliner.com/sculpture.html

Bases, Feet and Figures. Two Coats of Paint. Create a free website.

dionkliner.com dionkliner.com

Plaster -  Dion Kliner

http://www.dionkliner.com/plaster.html

Bases, Feet and Figures. Two Coats of Paint. Create a free website.

dionkliner.com dionkliner.com

Plaster sculptures of heads by Dion Kliner -  Dion Kliner

http://www.dionkliner.com/heads.html

Bases, Feet and Figures. Two Coats of Paint. Head for Edwin Parker. Plaster and wood, 21 x 18 x 19 inches, 2015. Man With Helmet, The Brave Patroclus Whom Achilles Loved. Plaster, wood, and copper wire 42 x 19 x 18 inches, 2016. Create a free website.

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HULLO!!...Can you hear me now?....I'M ON THE BUS!!

Can you hear me now? I'M ON THE BUS! Wednesday, 22 July 2015. I've been waiting for today's trip for just over three long years. Yes three, and if that doesn't make me patient I have no idea what does! How about if I told you that finally after the patient waiting and anticipation, all the organizing and preparation, after all that I wouldn't even be fishing myself? 2 generations of invisible offspring. He's yet to learn himself that it's not about the pounds and ounces but rather the experiences that fo...

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RClegg

Page Markup And Formatting. Page with comments disabled. This is a sticky post. There are a few things to verify:. The sticky post should be distinctly recognizable in some way in comparison to normal posts. You can style the. Class if you are using the post class(). Function to generate your post classes, which is a best practice. They should show at the very top of the blog index page, even though they could be several posts back chronologically. January 7, 2012. January 10, 2015. So Jane x 1,000.

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RICHARD CLEMENTS

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Richard Close Online Gallery, Close in Jersey

Contemporary and Abstract Photography. Richard Close Online Gallery. My inspiration for photography originates with my desire to look at subject matters that contrast between light, shade, colour, form and texture; all of which are reflected and un-manipulated in my work.

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Richard Cobden (1804-1865)

Herzlich willkommen bei www.richard-cobden.de. Den Seiten zu Ehren von Richard Cobden. In seiner Zeit berühmt und geachtet, ist Richard Cobden heute fast völlig vergessen. Allein das Zerrbild eines angeblich "barbarischen". Manchester-Liberalismus hat überlebt, auch wenn die historische Kenntnis wohl meist nicht ausreichen würde, Richard Cobden als den bedeutendsten Vertreter dieses Manchester-Liberalismus zu nennen. Eine Sammlung organisierte, die sich die damals unerhörten Summe von einer Million ...

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