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Sue OCA Painting 1

Sue OCA Painting 1. Saturday, 28 February 2015. Part 5: Personal Development. Different ways of applying paint. Apples boldbrudh strokes 1. This is just the start of an exercise but with thin paint and a short bristled brush the brushstrokes can be seen. This gives a different feel to the use of thick paint which provides an impasto brushstroke. Apples bold brush strokes 2. Apples - gold powder, tippex and acrylic. Brown card with a green emulsion. The idea was to scratch through the emulsion, but be...

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Sue OCA Painting 1 | sueoca2.blogspot.com Reviews
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Sue OCA Painting 1. Saturday, 28 February 2015. Part 5: Personal Development. Different ways of applying paint. Apples boldbrudh strokes 1. This is just the start of an exercise but with thin paint and a short bristled brush the brushstrokes can be seen. This gives a different feel to the use of thick paint which provides an impasto brushstroke. Apples bold brush strokes 2. Apples - gold powder, tippex and acrylic. Brown card with a green emulsion. The idea was to scratch through the emulsion, but be...
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1 appletex 1
2 appletex 4
3 glue and collage
4 figures
5 sgraffito apples
6 sgraffito drawing
7 texture around us
8 using wallpaper
9 wallpaper woven 1
10 wallpaper woven 2
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appletex 1,appletex 4,glue and collage,figures,sgraffito apples,sgraffito drawing,texture around us,using wallpaper,wallpaper woven 1,wallpaper woven 2,wallpaper woven 3,types of support,dribbled,adding other materials,grasses 1,grasses 2,photo collage 1
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Sue OCA Painting 1 | sueoca2.blogspot.com Reviews

https://sueoca2.blogspot.com

Sue OCA Painting 1. Saturday, 28 February 2015. Part 5: Personal Development. Different ways of applying paint. Apples boldbrudh strokes 1. This is just the start of an exercise but with thin paint and a short bristled brush the brushstrokes can be seen. This gives a different feel to the use of thick paint which provides an impasto brushstroke. Apples bold brush strokes 2. Apples - gold powder, tippex and acrylic. Brown card with a green emulsion. The idea was to scratch through the emulsion, but be...

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1

Sue OCA Painting 1 : 2013-08-11

http://www.sueoca2.blogspot.com/2013_08_11_archive.html

Sue OCA Painting 1. Tuesday, 13 August 2013. Give me the Monet! Whilst watching the TV programme ‘Give me the Monet’ I heard one of the 'hanging panel' mention Masaccio; imploring the young talented artist in front of him not to burn out by the age of 26, like Masaccio, who had totally rewritten art. Expulsion of Adam Eve. The Tribute Money fresco. There were some lovely. Notable quotes from the hanging panel. Whilst critiquing the works of the hapless hopeful artists. 8211; a sophisticated trait. RESEAR...

2

Sue OCA Painting 1 : 2013-05-12

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Sue OCA Painting 1. Monday, 13 May 2013. Explore the works of some of the artists whose work exemplifies chiaroscuro effects such as Titoretto, Caravaggio ad Rubens. Look also at the candlelit studies of some Northern European artists, most especially Rembrandt and Joseph Wright of Derby. Chiaroscuro has come to mean the extreme contrast between light and dark areas in a painting that depicts form. (Italian: chiaro = ‘ light’. Scuro ‘dark’. 8216;Flight into Egypt’. Self portrait. Baroque movement. Carava...

3

Sue OCA Painting 1 : 2013-08-04

http://www.sueoca2.blogspot.com/2013_08_04_archive.html

Sue OCA Painting 1. Saturday, 10 August 2013. RESEARCH: Dutch still life and flower paintings of the 17th century. Look at the work of some of the 17. Century Dutch still life and flower painters. Make notes on paintings that you especially admire and find out more about the techniques that were employed at that time. Jan Davidsz De Heem -. Still Life with Fruit, Flowers,. Glasses and Lobster 1660s. Willem Kalf - Still Life 1660. Willem Claesz Heda 1635 Still life with gilt goblet. Still lifes began to c...

4

Sue OCA Painting 1 : 2013-06-16

http://www.sueoca2.blogspot.com/2013_06_16_archive.html

Sue OCA Painting 1. Monday, 17 June 2013. Working on different coloured grounds. Tonal sketch 1 (A4 cartridge – charcoal). Tonal sketch 2 (A4 cartridge – charcoal). The strong sunlight was radiating through the window. The contrasts of light against the dark background were exploited. This back/side lighting creates a thin sliver of light around the objects – a halo effect. This second sketch offers a more interesting composition, contributed by the long cast shadows. How quickly do I need to work? I use...

5

Sue OCA Painting 1 : 2013-09-08

http://www.sueoca2.blogspot.com/2013_09_08_archive.html

Sue OCA Painting 1. Saturday, 14 September 2013. Exercise 3: Still life with flowers. VanGogh Twelve sunflowers in a vase 1887. The last still life was conventional and I wanted to produce something more simple with a very different feel. Photos of some of the various still life compositions. Planning out the composition. I have at least fulfilled the aim of tackling the subject in a different way, not homing in on tone and making it a more high key painting. More scope for creating textures. The end res...

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Sue OCA Painting 1

Sue OCA Painting 1. Saturday, 28 February 2015. Part 5: Personal Development. Different ways of applying paint. Apples boldbrudh strokes 1. This is just the start of an exercise but with thin paint and a short bristled brush the brushstrokes can be seen. This gives a different feel to the use of thick paint which provides an impasto brushstroke. Apples bold brush strokes 2. Apples - gold powder, tippex and acrylic. Brown card with a green emulsion. The idea was to scratch through the emulsion, but be...

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