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Liene A2 Film Studies

Monday, 29 March 2010. Bill Nichols "Representing Reality: Issues and Concepts in Documentary". Http:/ www.timeout.com/film/features/show-feature/5241/james-marsh-on-man-on-wire.html. James Marsh answers the questions of making "Man on Wire", discussing the techniques used, and how Philippe Petit came into his life. Posted by Liene Ophelia. Wednesday, 24 March 2010. Posted by Liene Ophelia. Wednesday, 17 March 2010. The Leader, His Driver and the Driver's Wife. The film probably comes closer to reality t...

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Liene A2 Film Studies | lienea2film.blogspot.com Reviews
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Monday, 29 March 2010. Bill Nichols Representing Reality: Issues and Concepts in Documentary. Http:/ www.timeout.com/film/features/show-feature/5241/james-marsh-on-man-on-wire.html. James Marsh answers the questions of making Man on Wire, discussing the techniques used, and how Philippe Petit came into his life. Posted by Liene Ophelia. Wednesday, 24 March 2010. Posted by Liene Ophelia. Wednesday, 17 March 2010. The Leader, His Driver and the Driver's Wife. The film probably comes closer to reality t...
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1 documentary background reading
2 no comments
3 3 comments
4 1 comment
5 bowling for columbine
6 to be continued
7 man on wire
8 documentary film definitions
9 documentary modes
10 the poetic mode
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Liene A2 Film Studies | lienea2film.blogspot.com Reviews

https://lienea2film.blogspot.com

Monday, 29 March 2010. Bill Nichols "Representing Reality: Issues and Concepts in Documentary". Http:/ www.timeout.com/film/features/show-feature/5241/james-marsh-on-man-on-wire.html. James Marsh answers the questions of making "Man on Wire", discussing the techniques used, and how Philippe Petit came into his life. Posted by Liene Ophelia. Wednesday, 24 March 2010. Posted by Liene Ophelia. Wednesday, 17 March 2010. The Leader, His Driver and the Driver's Wife. The film probably comes closer to reality t...

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1

Liene A2 Film Studies: January 2010

http://lienea2film.blogspot.com/2010_01_01_archive.html

Tuesday, 26 January 2010. A still shot from Joris Ivens' "Regen" - an example of the poetic mode. Developed by American documentary theorist Bill Nichols, documentary "mode" is a conceptual scheme that seeks to distinguish particular traits and conventions of documentary film style. In his scheme, Nichols identifies six different documentary "modes". These include:. Posted by Liene Ophelia. Monday, 25 January 2010. Update: the plan has now changed to writing a screenplay, but still using the same ideas.

2

Liene A2 Film Studies: December 2009

http://lienea2film.blogspot.com/2009_12_01_archive.html

Wednesday, 9 December 2009. Directed by Vincent Paronnaud and Marjane Satrapi, released in 2007. The film is an animation based on Satrapi's autobiographical graphic novel of the same name. The film is a life story. First person narrative introduces us to the situation slowly, depending on the character's perceptions. The viewers are introduced to events that are relevant to the main character. The animation breaks down barriers and creates a feeling of involvement. We can engage with the main charac...

3

Liene A2 Film Studies: September 2009

http://lienea2film.blogspot.com/2009_09_01_archive.html

Wednesday, 30 September 2009. Directed by Alejandro González Iñárritu, 2000. The film consists of three narratives, all of them brought together by a horrific car accident. The beginning is sudden and immediately takes you into the story. Some scenes are explicit and brutal. Violence and human obsession continues throughout the film, but somehow you want to continue watching even the most bloody parts. Dogs are also used to represent the fact that you need animal instincts to survive in Mexico city.

4

Liene A2 Film Studies: Bowling for Columbine

http://lienea2film.blogspot.com/2010/03/bowling-for-columbine.html

Saturday, 13 March 2010. Directed by Michael Moore, released in 2002. The documentary, typically for Moore, is also written, produced and narrated by himself. The film explores Moore's thoughts on what were the causes for the Columbine High School massacre and other gun-related acts of violence in the area in which it took place, as well as the United States as such. Is this Michael Moore's reality? Posted by Liene Ophelia. 17 March 2010 at 08:31. Subscribe to: Post Comments (Atom). Liene A2 Film Studies.

5

Liene A2 Film Studies: Documentary Film Definitions

http://lienea2film.blogspot.com/2010/01/documentary-film-definitions.html

Tuesday, 26 January 2010. A still shot from Joris Ivens' "Regen" - an example of the poetic mode. Developed by American documentary theorist Bill Nichols, documentary "mode" is a conceptual scheme that seeks to distinguish particular traits and conventions of documentary film style. In his scheme, Nichols identifies six different documentary "modes". These include:. Posted by Liene Ophelia. 1 February 2010 at 23:40. Subscribe to: Post Comments (Atom). Liene A2 Film Studies.

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Liene A2 English Literature

Liene A2 English Literature. Sunday, 28 March 2010. The Bloody Chamber" Reading Notes. Posted by Liene Ophelia. Tuesday, 23 March 2010. Drawing upon at least two stories from "The Bloody Chamber" explore the ways in which Carter might be considered to re-interpret gothic conventions. 8217;t leave as much impact as Mary Shelley’s “Frankenstein”. It was also the fact that the stories were quick-phased and there was no space left to engage with the characters that often lacked identity. Monday, 8 March 2010.

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Liene A2 Film Studies

Monday, 29 March 2010. Bill Nichols "Representing Reality: Issues and Concepts in Documentary". Http:/ www.timeout.com/film/features/show-feature/5241/james-marsh-on-man-on-wire.html. James Marsh answers the questions of making "Man on Wire", discussing the techniques used, and how Philippe Petit came into his life. Posted by Liene Ophelia. Wednesday, 24 March 2010. Posted by Liene Ophelia. Wednesday, 17 March 2010. The Leader, His Driver and the Driver's Wife. The film probably comes closer to reality t...

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Liene AS Film Studies

Liene AS Film Studies. Wednesday, 11 March 2009. Directed by Paul Andrew Williams, 2006. Locations/settings: working class apartments. Fields and countryside, as well as Brighton Beach contrast to the city shots and give a sense of freedom, refugee. Establishing shots in each sequence. Duncan's house is white, washed-out and almost clinical, making an impression of purity, although we know that Duncan isn't pure at all. Joanne's red lipstick and hoodie. Ideology: hierarchy, the pyramids of life. Soci...

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