misfitcity.org
21st century classical music | Misfit City
https://misfitcity.org/category/classical-western-art-music/21st-century-classical-music
About ‘Misfit City’. Archive 21st century classical music. RSS feed for this section. September 2016 upcoming London gigs from Julián Elvira, rarescale, Katsuya Nonaka and Ute Kanngiesser (1st, 6th, 10th, 11th) – post-classical chamber music, premieres and improvisations for assorted flutes, shakuhachi, blowables, cello, etc. (Plus Katsuya’s London film premieres.). Here’s news on four upcoming shows in London during early September, two of which are brought to us by flute-centred ensemble rarescale.
altoflute.co.uk
The Kingma System Alto Flute: A Practical Guide for Composers and Performers
http://altoflute.co.uk/08-repertoire/repertoire-examples.html
The Kingma System Alto Flute:. A Practical Guide for Composers and Performers. Royal College Of Music, London. Percussive Effects and Articulation. Examples listed by technique. Andromache's Recitativo, Aria and Subtext. White Bird - blackbird. For Kingma System alto flute and electronics. Andromache’s Recitativo, Aria and Subtext. For Kingma System alto flute. Andromache's Recitativo, Aria and Subtext. The English translation of the text used is that of Philip Vellacott because his work shows the real u...
julian-richards.co.uk
Almost not there | Julian Richards' blog
http://julian-richards.co.uk/almostnot
May 12, 2015. The death of romanticism. December 2, 2014. Now, it’s just smoke over a field at dawn. Senses highly stimulated, in part by unfamiliarities, in part by extremes of lighting, temperature, awareness of contingency of the moment. I can get the same thing from a mid-afternoon lamppost if I want. October 4, 2014. Yes, I’m back on the scene. I’m showing with Matthew Kolakowski and Christina Johnston from 17 to 20 October at Brixton East, 100 Barrington Road, London SW9 7JF. June 19, 2013. I also ...
julian-richards.co.uk
Old work | Julian Richards | A photographer and film-maker working in art and documentary who lives in London
http://julian-richards.co.uk/old-work
August 7, 2016. 1 August 1982. The decades have degraded the colours in the negative in quite a groovy way. This was a graving dock at the West Float, Birkenhead, where I used to row at Liverpool Victoria Rowing Club. The Other Side of Silence (North London Line). August 6, 2016. Hackney Central to Acton Central. A journey I made very often for a few years. Great views: panoramas, near misses with Victorian brickwork, trackside flowers. August 6, 2016. August 6, 2016. Music by Pete Flood, Michael Oliva.
mainlytwo.com
Mainly Two performers | MainlyTwo
http://www.mainlytwo.com/mainly-two-family/mainly-two-performers
Violinists John Garner and Marie Schreer formed 'Mainly Two' with a view to expanding the repertoire for two violins and bringing greater attention to an often neglected medium. Driven by a desire to push the boundaries of the violin, JOHN GARNER. After several years spent with the famous Russian virtuoso Rimma Sushanskaya, last student and protégée of the legendary David Oistrakh, John continued his studies at the Royal College of Music, graduating with a first class honours degree, and postgraduate stu...
mainlytwo.com
Blog | MainlyTwo
http://www.mainlytwo.com/blog
Violinists John Garner and Marie Schreer formed 'Mainly Two' with a view to expanding the repertoire for two violins and bringing greater attention to an often neglected medium.
mainlytwo.com
Media | MainlyTwo
http://www.mainlytwo.com/media
Violinists John Garner and Marie Schreer formed 'Mainly Two' with a view to expanding the repertoire for two violins and bringing greater attention to an often neglected medium.
mainlytwo.com
About Mainly Two | MainlyTwo
http://www.mainlytwo.com/about
Violinists John Garner and Marie Schreer formed 'Mainly Two' with a view to expanding the repertoire for two violins and bringing greater attention to an often neglected medium. Violinists Marie Schreer and John Garner formed ‘Mainly Two’ with a view to expanding the repertoire for two violins and bringing greater attention to an often neglected medium.