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(n)either (n)or

(n)either (n)or is double sided; it establishes a link that is also a limit. The exhibition simultaneously enunciates a comparison (either inside or outside) and a negative conjunction (neither self nor other). To explore the productive difference of inhabiting the permeable and shifting boundaries that constitute binary distinctions, the exhibition brings together contemporary artists who…

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(n)either (n)or | neithernoreitheror.wordpress.com Reviews
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(n)either (n)or is double sided; it establishes a link that is also a limit. The exhibition simultaneously enunciates a comparison (either inside or outside) and a negative conjunction (neither self nor other). To explore the productive difference of inhabiting the permeable and shifting boundaries that constitute binary distinctions, the exhibition brings together contemporary artists who…
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(n)either (n)or | neithernoreitheror.wordpress.com Reviews

https://neithernoreitheror.wordpress.com

(n)either (n)or is double sided; it establishes a link that is also a limit. The exhibition simultaneously enunciates a comparison (either inside or outside) and a negative conjunction (neither self nor other). To explore the productive difference of inhabiting the permeable and shifting boundaries that constitute binary distinctions, the exhibition brings together contemporary artists who…

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call for art | (n)either (n)or

https://neithernoreitheror.wordpress.com/callforart

The deadline for this call for art has passed – thank you to all artists who submitted work to. N)either (n)or explores themes of liminality, marginality, and the difficulty of inhabiting contested or transitional spaces. We invite artists to submit work that investigates these issues as they relate to uncertainty and refusals of certainty, politics of identity, difference and culture, and how institutional relationships are imagined in collective mental and physical spaces. 8211; Submit proposals via ou...

2

press | (n)either (n)or

https://neithernoreitheror.wordpress.com/press

April 27, 2015. To open at the margins of the Chazen Museum of Art on May 1, 2015: the Curatorial Lab of UW-Madison’s Department of Art History explores liminality as a persistent condition in contemporary art practices. Madison, WI, April 27, 2015 – The Curatorial Lab of the University of Wisconsin-Madison’s Department of Art History is pleased to present the group exhibition. S opening, the Curatorial Lab will host a public reception during the city-wide Gallery Night, on Friday, May 1, from 5 to 8pm.

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installation | (n)either (n)or

https://neithernoreitheror.wordpress.com/installation-photos

Installation view from left: Brittney Leeanne Williams,. Tape Smiles and Peace Signs. 2011); Eleen Lin,. 2014); Leigh Merrill,. 2014); Annelies Kamen,. Plot: Enschede Knalhutteweg Defunct Border Road Median. Installation view (west wall) from left: Isabel Seliger,. Re-ordering the Museum: Polyvalent Gender Cultures in Traditional Asian Statuary (1-4). 2015); Daniel Fleming,. 2015); Brittney Leeanne Williams,. Tape Smiles and Peace Signs. Installation view (south wall) from left: Vanessa Gravenor,.

4

artists | (n)either (n)or

https://neithernoreitheror.wordpress.com/artists

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