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The Object Research Lab | relational thingness

relational thingness

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The Object Research Lab | relational thingness | objectresearchlab.wordpress.com Reviews
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The Object Research Lab | relational thingness | objectresearchlab.wordpress.com Reviews

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relational thingness

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Thing Labour – by Maartje Hoogsteyns | The Object Research Lab

https://objectresearchlab.wordpress.com/2009/09/17/thing-labour-by-maartje-hoogsteyns

The Object Research Lab. Thing Labour – by Maartje Hoogsteyns. September 17, 2009 at 7:11 am · Filed under Uncategorized. Wat is een ding? Wanneer is iets een ding? Wat is er voor nodig om een ding te zijn? Deze vragen kunnen we op twee manieren benaderen:. 8211; In ruime zin:. Wat is een ding versus een niet-ding (zoals mens)? 8211; In nauwe zin:. Op welke wijze onderscheidt een specifiek ding, zoals een koffiekopje of de beerput, zich van een ander ding (of niet-ding)? Op welke wijze onderscheidt.

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Past projects | The Object Research Lab

https://objectresearchlab.wordpress.com/past-projects

The Object Research Lab. Three Dimensional Questions - Weak Signals, Wild Cards, June 2009. Three Dimensional Questions - Weak Signals, Wild Cards, June 2009. Three Dimensional Questions - detail. No comments yet ». Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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What do we gain? | The Object Research Lab

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The Object Research Lab. What do we gain? No comments yet ». Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. About The Object Research Lab.

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A first moment of presentation – 28, 29, 30, 31 January 2010 | The Object Research Lab

https://objectresearchlab.wordpress.com/2010/01/15/a-first-moment-of-presentation-28-29-30-31-january-2010

The Object Research Lab. A first moment of presentation – 28, 29, 30, 31 January 2010. January 15, 2010 at 11:49 pm · Filed under Uncategorized. And tagged: object research lab. The Object Research Lab aims to chart the contemporary thought and approaches about objects. Finding these contact points and moments of exchange that could translate in a visual research that in itself could be made applicable to artistic practice and design. A project by Yvonne Dröge Wendel. No comments yet ». What do we gain?

5

Visual evidence | The Object Research Lab

https://objectresearchlab.wordpress.com/2009/09/07/visual-evidence

The Object Research Lab. September 7, 2009 at 7:57 pm · Filed under Uncategorized. The Object Reader Eds. Fiona Candlin, Raiford Guins. Note taking during the ORL discussion session. Mario Biagioli – Harvard University takes a blurb to be educated abroad. Genevieve Teil - INRA University takes X on another journey. No comments yet ». Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.

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Arenas | ArchitectureofInteraction

https://architectureofinteraction.wordpress.com/arenas

124; Comments RSS. Many artists who use interactive working methods prefer to operate in social contexts beyond the art world so that their works take on a broader significance. However, it is important to be aware that many politically motivated art works are not necessarily intended to function in any other arena other than the art arena. One move could mean two very different things according to two distinct sets of rules. For example, when working for a commission in a particular arena, your intentio...

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Others | ArchitectureofInteraction

https://architectureofinteraction.wordpress.com/others

124; Comments RSS. Interactive working methods involves the interaction of. How do you identify the people who take part in your work? Can you specify which kind of. Are involved in the making of the work? Does their role change throughout the process? Do participants become co-authors during the process of the work, or do participants become onlookers? We mean all individuals other than the. Of the work. We have set out to collect and map different kinds of. Who were not present when the work was realiz...

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About | ArchitectureofInteraction

https://architectureofinteraction.wordpress.com/about

124; Comments RSS. The interest and use of interactive methodologies continues to grow among artists, curators and funders. Yet, each artistic discipline and even each individual artist uses an independent language for describing interactive works. There is currently no commonality between these languages. Amsterdam, November 2006. Chisenhale Gallery, London. Veemvloer, AOI meetings. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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The Book | ArchitectureofInteraction

https://architectureofinteraction.wordpress.com/2009/10/06/the-book

124; Comments RSS. Posted on October 6, 2009. Architecture of Interaction publication. Starting point for this blog is the content of the book: An Architecture of Interaction. This project will develop according to new entries, comments and changes. The book can be bought at the following bookshops, Athenaeum bookshop Amsterdam http:/ www.athenaeum.nl. ICA bookshop London http:/ www.ica.org.uk and. On October 6, 2009 at 7:59 am. Hi, this is a comment. Leave a Reply Cancel reply. Enter your comment here.

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Intentions | ArchitectureofInteraction

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124; Comments RSS. In order to talk about interactive processes and to describe what happens and whether the process is successful or not, it is important to have a clear idea of the kind of interaction the artist has in mind. For instance, does the initiating author intend to work with an informed public that chooses to take part in the work? And how do those who participate in it experience the work? Is interactive work a means to design the participation of the Other? Some artists prefer to open up th...

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Models | ArchitectureofInteraction

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124; Comments RSS. The six model drawings include four basic models. And also two examples to describe the interactive. Processes of two distinct interactive art works. Together,. The models outline the key aspects of interactive. Working practices discussed in the chapters. The models were designed to visualise and provide a. Better map of the complex processes and time structures. Did the maker overlook important possible interactions? The models are meant to be used, expanded and adjusted if necessary...

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Postscript | ArchitectureofInteraction

https://architectureofinteraction.wordpress.com/postscript

124; Comments RSS. Which concerned the specific presuppositions and criteria of particular artistic disciplines. What I learned and tried to convey to other people is that the mere process of studying different presuppositions and criteria transforms the very limitations that define a discipline into possibilities of choice. Amsterdam, January 2007. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

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Sensitivities | ArchitectureofInteraction

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124; Comments RSS. This chapter is about the underlying artistic sensitivities that bring an inexhaustible range and mix of views to the discussion on interactive art practices. A visual artist may tend to be sensitive to the art work as object. They may be convinced that the main signifying aspect of an art work is material in nature, or strongly believe the opposite. This polarisation of sensitivities is not easily understood from the perspective of theatre and performance. Different sensitivities stem...

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Authors and co-authors | ArchitectureofInteraction

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124; Comments RSS. Authors, Co-authors and finanicial support. Was been made by makers for makers. The book’s main authors are the artists Anna Best, Yvonne Dröge Wendel, Nikolaus Gansterer, Lino Hellings, Mine Kaylan and Klaas Kuitenbrouwer. The publication has been coordinated by Wietske Maas. We thank all those involved in the realisation of this book, which has been an interactive project in itself. Graphic design publication: Nienke Terpsma. Leave a Reply Cancel reply. Enter your comment here. Follo...

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Timeframes | ArchitectureofInteraction

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124; Comments RSS. How do you frame the process of your interactive work? Which stages or moments of time are incorporated in your work? Is your work interactive and public all the time or do you prefer moments of solitary incubation? What and when is the moment of publication? If you divide and compose your working process into timeframes then your own choices will become clearer not only for yourself but also to the others involved in your work. Every project is a composite of different time – fr...

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The Object Research Lab | relational thingness

The Object Research Lab. A first moment of presentation – 28, 29, 30, 31 January 2010. January 15, 2010 at 11:49 pm · Filed under Uncategorized. And tagged: object research lab. The Object Research Lab aims to chart the contemporary thought and approaches about objects. Finding these contact points and moments of exchange that could translate in a visual research that in itself could be made applicable to artistic practice and design. A project by Yvonne Dröge Wendel. Wat is een ding? 8211; In ruime zin:.

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View my complete profile. Communication Nation: Use your blog as a managemen. Communication Nation: Information overload in the . ObjectRhetoric and cleanliness of spirit. Thursday, October 13, 2005. 1 originating from a blending together of the organic and mechanical. Conflation of cyborg genetic in order to get an adjective form for use in my dissertation. Isn't it strange how the definition should not be "organic and mechanic"? Posted by Roland Jones 11:45 AM. Tuesday, October 04, 2005. Communication ...